gyrðir elíasson

Prachtige kleine natuurroman over bomen, kunst en stilte. Voor de liefhebbers van Het lichtje in de verte van Antonio Moresco. Een onlangs gescheid

‘Haar naam was Elisabeth Sumner, maar ik noemde haar B. Ze maakte mijn leven tot een avontuur toen ik dacht dat er nooit iets zou gebeuren. Ik moet he

Prachtige kleine natuurroman over bomen, kunst en stilte. <br><br> Een onlangs gescheiden schilder verhuist naar een woonwagengemeenscha

An updated and expanded edition of the acclaimed in-depth monograph on one of the most influential artists of our time Conceived in close collaborati

Falcons Forever: The Saga of the 1920 Olympic Gold Medal Ice Hockey Team chronicles the Winnipeg Falcons' journey to the VII Olympiad in Antwerp, Belg

This volume showcases the first solo exhibition of Olafur Eliasson’s work in the Gulf region. Text in English and Arabic.

This book examines the historic role of professional and demanding military customers in industrial development. Particular emphasis is paid to public

This book seeks to rectify Americans' views of its closest ally, Europe - an ambitious task, but one sorely lacking in the literature. Many prejudices

Investigates and compares the actual organization and use of information systems in American, European and Japanese firms with theoretical conclusions

Unspoken Spaces is a richly illustrated journey through spheres, tunnels, towers, walkways and archways, as well as pavilions and larger buildings rea

'Haar naam was Elisabeth Sumner, maar ik noemde haar B. Ze maakte mijn leven tot een avontuur toen ik dacht dat er nooit iets zou gebeuren. Ik moet he

One of the most wide-ranging and ambitious creative minds of his generation, Icelandic-Danish artist Olafur Eliasson has produced a dizzying spectrum

Portraiture and Social Identity in Eighteenth-Century Rome sheds new light on the relationship between portraiture, social affirmation and the myth of

In the past, clergy malfeasance was mentioned only in passing by group members or adherents

In the past, clergy malfeasance was mentioned only in passing by group members or adherents. The subject was invisible and those who studied it were o

Claude Monet’s Vétheuil in Winter (1878-79), painted during the artist’s first winter in the village, depicts his new home on the Seine, seen from the

In exploring the microfoundations of economic growth, the contributors to this volume focus on three subjects that were of profound interest to the gr